Season 4
In this podcast I explore how images influence our understanding of reality and the sacred through conversations with thought leaders on art, visual culture, and religion. Each episode delves into a different area of visual theology, opening to spiritual wisdom while deconstructing an image-saturated world.
Season Four: Material Religion
In this season, we turn our attention to material religion, a field that offers a way to see how images, objects, actions, and spaces participate in making belief tangible. I am joined by a group of guests carefully chosen for their expertise and diverse perspectives. Together they show how material religion manifests in culture, from ancient Christianity to contemporary art, from philosophy and phenomenology to global devotional practices, and from museum work to heritage studies. Their ideas help illuminate how the sacred is expressed, negotiated, contested, and encountered through the material life of faith.
Produced by Radix Magazine and the Foundation for Spirituality and the Arts, the podcast is also available to stream from their websites. Click either logo.
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EPISODE 1
Andrew Coates
Material Religion Today
Andrew is a lecturer in the Department of Religious Studies at Duke University. He is the managing editor of Material Religion: the Journal of Objects, Art, and Belief and the author of What is Protestant Art?, a short survey of Protestant images and visual cultures from the Reformation to the present. Andrew has published articles on Bible charts, comic book Bibles, and Protestant fundamentalism in America. He is currently working on a project about maps of the "Holy Land" in the Scofield Bible. He also teaches undergraduate classes about the history of religion in the United States, atheism and secularism, and religion and film.
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In this episode, I sit down with Andrew to establish the foundations of material religion—what it is, why it matters, and how it’s transforming the study of faith today. He helps map the key debates and methodological commitments shaping the field, emphasizing its inherently interdisciplinary nature and the global perspectives pushing its boundaries. This conversation lays the groundwork for understanding how material forms, ancient and emerging, shape belief, devotion, and religious imagination.​